Gallery Openings This Week

Well it’s been months since I’ve moved back to nyc and I can count on one hand the number of galleries I’ve been to…..and not a single museum. Shame on me. I’m the worst artist ever….so in lieu of trying to see more art I thought I’d post a list of some NYC openings this week in case y’all wanted to see some too. Seriously. Go. Don’t be a slacker like me.

Opening In Next 7 Days


Chelsea

Thursday, July 26
Jamel Shabazz, Phone Sex, 1997, NYC

ArtNowNY and The City Firm Present, “The Art of Rap: Remixed & Mastered” 
ArtNowNY, 6 – 9 PM
548 West 28th Street, 646-535-6528

Polina Barskaya, Tourists, 2011

Show #6: How to Write a Novel 
Field Projects, 5 – 8 PM
526 West 26th Street, No. 807

Faith Holland, video sill from Improving, Non-Stop, 2011

Between Two Thoughts 
Visual Arts Gallery, 6 – 8 PM
601 West 26th Street, 15th floor, 212.592.2145

Summer Show 
Praxis International Art, 6 – 8 PM
541 West 25th Street, 212-772-9478

First Year in New York 
Galerie Richard, 6 – 8 PM
514 West 24th Street, 212-510-8181

Aneta Bartos

31 Women in Art Photography 
Hasted Kraeutler, 6 – 8 PM
537 West 24th Street, 212.627.0006

“BB”, 57″ × 47″, Acrylic on Panel, 2012, Artist Jeremy Penn

The Secret in their Eyes
RL Fine Arts, 6 – 8 PM
39 West 19th Street, Suite 612, 212-645-6402


DUMBO

Wednesday, July 25
Running 000516, 2011, Pigment Print, Edition of 7 ©Tabitha Soren

FRESH 2012—Annual Summer Exhibition 
Klompching Gallery, 6 – 8 PM
111 Front Street, Suite 206, 212-796-2070


East Village / Lower East Side

Wednesday, July 25
Sam Gilliam “Red Echo, 2005, acrylic on birch, 28 × 28 × 2 1/2 inches

“Lyrical Color,” a Pocket Utopia group show 
Pocket Utopia, 6 – 8 PM
191 Henry Street, between Clinton and Jefferson

tamara gayer, graphic study for ‘the inside’, 2012

tamara gayer: the inside 
toomer labzda, 6 – 8 PM
100a Forsyth Street, 917 488 3388

Thursday, July 26

CANNONBALL! 
frosch&portmann, 6 – 8 PM
53 Stanton Street, 646 266 5994

Melissa McCaig-Welles and John Leo present: KINGBROWN at Klughaus Gallery 
Klughaus Gallery, 7 – 11 PM
47 Monroe Street, 646-801-6024


Midtown

Thursday, July 26

Liberty in the Forest 
Chashama 266 Gallery, 6 – 9 PM
266 West 37th Street, 212-391-8151 x 26


Tribeca / Downtown

Tuesday, July 24

Surprise Surprise 
FB Gallery, 6 – 9 PM
368 Broadway, No. 209, 917.495.2457


Williamsburg / Greenpoint / Bushwick

Thursday, July 26
Francesco Longenecker, Cottage, 2012, Oil on Plexiglass, 9 × 12 × 1in

site95 Benefit 
Present Company, 6 – 9 PM
101 North 13th Street

Intimate Planet 
The Bogart Salon, 6 – 9 PM
56 Bogart Street, 203-249-8843

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Like Watching Paint Thrive

I was all ready to hang up my paint brushes and give up on the medium all together (not really but I thought about it for a minute) based on the way of art as of late but seems there’s hope for the painters yet. Though maybe in a slightly different form than before.

via NyTimes:

In Five Chelsea Galleries, the State of Painting

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Painting is a lot of things: resilient, vampiric, perverse, increasingly elastic, infinitely absorptive and, in one form or another, nearly as old as humankind. One thing it is not, it still seems necessary to say, is dead.

Maybe it appears that way if you spend much time in New York City’s major museums, where large group shows of contemporary painting are breathtakingly rare, given how many curators are besotted with Conceptual Art and its many often-vibrant derivatives. These form a hegemony as dominant and one-sided as formalist abstraction ever was.

But that’s another reason we have art galleries. Not just to sell art, but also to give alternate, less rigid and blinkered, less institutionally sanctioned views of what’s going on.

Evidence of painting’s lively persistence is on view in Chelsea in five ambitious group exhibitions organized by a range of people: art dealers, independent curators and art historians. Together these shows feature the work of more than 120 artists and indicate some of what is going on in and around the medium. Some are more coherent than others, and what they collectively reveal is hardly the whole story, not even close. (For one thing there’s little attention to figuration; the prevailing tilt is toward abstraction of one sort or another.) A few of the shows take a diffuse approach, examining the ways painting can merge with sculpture or Conceptual Art and yield pictorial hybrids that may not even involve paint; others are more focused on the medium’s traditional forms. Read the entire article

Fashion Exhibits Happening Around the World this Summer

Get out from the melting sun and in to the cool air conditioning of the museums…..and check out the amazing fashion exhibits while you’re at it.

 

 

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What: Herb Ritts: L.A. Style
Where: Los Angeles, California
When: Now – August 26
Why: Fashion photographer Herb Ritts’ work is on display at the Getty Museum. Think high-contrast, high-drama black and white works that blend art and pop culture in a manner that’s totally innovative and captivating.

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What: The Fashion World of Jean Paul Gaultier: From the Sidewalk to the Catwalk
Where: San Fransisco, California
When: Now – August 19
Why: Jean-Paul Gaultier is known for his gritty, provocative designs, and now you can see them (dating back to his debut in 1976) at the DeYoung Museum in San Fran. Sketches, photographs, video clips and, of course, clothing, are all on display.

 

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What: Charleston Couture
Where: Charleston, South Carolina
When: Now – November 4
Why: Southern belle couture is the name of the game at the Charleston Museum’s latest fashion exhibit, showcasing luxurious pieces from prominent plantation owners way back when.

 

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What: A Day at the Beach
Where: Kent State University, Ohio
When: Now – October 7
Why: Nowadays we wear as little as possible when we hit the shore, but that wasn’t always the case. The Kent State University Museum’s exhibit on women’s seaside attire over the years includes parasols and white gowns with bustles from the mid-1800s and less restricting dresses from the early 20th century.

 

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What: Fashion Accessories from Head to Toe
Where: Menlo Park, California
When: Now – January 1
Why: Straight out of Downton Abbey, these period pieces will show you exactly where some of our modern styles evolved from.

 

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What: Christian Louboutin exhibition
Where: London, England
When: Now – July 9
Why: Christian Louboutin, shoe designer of red-soled fame, has his most artistic footwear on display at the View in London. This retrospective will have you doing double takes, picking your jaw off the floor and drooling over the shoe porn to end all shoe porn collections.

 

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What: Princess Diana dress exhibition
Where: London, England
When: Now – August 31
Why: Princess Diana’s modern, designer-heavy wardrobe made her a style star. State banquet dresses and her iconic pink and purple chiffon sari gown by Catherine Walker are all included in this display at the View. How long until Kate Middleton gets one of these exhibits?

 

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What: Ballgowns: British Glamour Since 1950
Where: London, England
When: Now – January 6
Why: The “Ballgowns” exhibit at the V&A seeks to prove Britain’s fashion prowess, displaying some of the most stunning gowns we’ve ever laid eyes on. They’re all designed by British fashion designers, so think Jonathan Saunders, Hussein Chalayan, Jenny Packham and even an Alexander McQueen or two.

 

Yves Saint Laurent- The Retrospective curated by Florence Muller,Pierre Berge

What: Yves Saint Laurent: The Retrospective
Where: Denver, Colorado
When: Now – July 8
Why: Yves Saint Laurent’s influence on women’s style, from Le Smoking to haute couture, is still found in contemporary designs. The Denver Art Museum put together a major retrospective of the designer’s ouvre from the start of his career in 1958 to its end in 2002.

 

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What: Louis Vuitton – Marc Jacobs
Where: Paris, France
When: Now – September 16
Why: While imaginary conversations are going on between Elsa Schiaparelli and Miuccia Prada across the pond, the work of Marc Jacobs, and Louis Vuitton’s original namesake designer, is being displayed together at the Decorative Arts museum in Paris.

 

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What: Iris van Herpen exhibition
Where: Binnenstad, The Netherlands
When: Now – September 23
Why: How many fashion designers who have been at it for less than a decade are given museum exhibits? Not many, which speaks volumes to Iris van Herpen’s tact for fashion design. Named to the Chambre Syndicale de la Haute Couture last year, Van Herpen has done so much already and her career has only just begun.

 

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What: The World of Cristobal Balenciaga
Where: Paris, France
When: Now – October 7
Why: Marking the 40th anniversary of the designer’s death, the Cité de la Mode et du Design has over 70 RTW pieces and 40 couture coats and dresses made by the genius himself.

 

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What: Yohji Yamamoto exhibition
Where: Holon, Israel
When: July 5 – October 20
Why: Avant-garde wizard Yohji Yamamoto’s designs are on display at the Israeli Design Museum Holon, featuring mens and womenswear alike, placing emphasis on people, place and design through the museum’s indoor and outdoor spaces.

 

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What: An American Legacy: Norell, Blass, Halston and Sprouse
Where: Indianapolis, Indiana
When: Now – January 27
Why: Who knew the midwest bore so many brilliant designers?! Norman Norell, Bill Blass, Stephen Sprouse and Halston all hail from Indiana and have archival pieces on display at the Indianapolis Museum of Art, including ensembles worn by Nancy Reagan, Betty Furness and Debbie Harry. How’s that for influential Americana?

 

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What: Go Figure: New Fashion Illustration
Where: London, England
When: Now – July 14
Why: All fashion design starts with a sketch and an idea, so the Fashion Space Gallery explored this concept by putting together an exhibit of fashion-themed illustrations from relatively unknown, yet undeniably brilliant, young artists.

 

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What: Kabuki – Japanese Theatre Costumes
Where: Paris, France
When: Now – July 15
Why: Japanese theater costumes, known as Kabuki, are expressive and elaborate, transforming the actor into an entirely different person or object. See the robes themselves and imagine them alive and in motion at the Fondation Pierre Bergé-Yves Saint Laurent.

 

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What: Designing 007: Fifty Years of Bond Style
Where: London, England
When: Now – March 1
Why: The sex appeal of James Bond is undeniable, make it your mission to find out if the suit really makes the man at this exhibit at the Barbican museum.

 

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What: Living Fashion
Where: Antwerp, Belgium
When: Now – August 12
Why: This presentation at the Mode Museum focuses on the women who had different outfits for shopping and leisure in the 19th century–the rich. It’s sure to be luxurious.

 

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What: Out of Fashion
Where: Wilmington, North Carolina
When: Now – August 19
Why: Made up of 13 local designers around the Cameron Art Museum, this exhibit infuses serious fashion into the small-town scene.

 

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What: On the Home Front: Civil War Fashions and Domestic Life
Where: Kent State University, Ohio
When: Now – August 26
Why: We can’t imagine raising a family and worrying about our solider husbands while wearing a full coat and bustle, so we are glad that this exhibit at the Kent State University Museum celebrates the people who truly suffered for fashion.

 

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What: Gala Dress: Court and Couture
Where: Copenhagen, Denmark
When: Now – August 26
Why: Soak up the beauty and luxury of these black-tie gowns at the Amalienborg Museum.

 

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What: Stephen Jones: From Georgina to Boy George
Where: Newgate, England
Why: Anna Piaggi once described Stephen Jones as “the maker of the most beautiful hats in the world.” Needless to say, this exhibit at the Bowles Museum will live up to her endorsement.

 

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What: Art Deco Chic
Where: Vancouver, Canada
When: Now – September 23
Why: This exhibition at the Museum of Vancouver focuses on how women found glamour in between wars.

 

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What: Jewellery Unleashed!
Where: Zurich, Switzerland
When: Now – September 23
Why: From minimalism to maximalism, this exhibit at the Museum of Bellerive covers every trend in jewelry.

 

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What: Future Beauty: 30 Years of Japanese Fashion
Where: Tokyo, Japan
When: Now – October 8
Why: Japan always seems to be one step ahead of the fashion curve, so look back at the past 30 years of Japanese style for some major inspiration at the Museum of Contemporary Art Tokyo.

 

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What: Off the Peg: Fashion from the 40s and 50s
Where: Dumfries, Scotland
When: Now – October 31
Why: On loan from private owners, these gorgeous vintage frocks, on display at the National Museum of Scotland, will cure your Season One Mad Menitch.

 

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What: From Mini to Maxi
Where: Vilnius, Lithuania
When: Now – November 4
Why: The Museum of Applied Art website promises couture from Yves Saint Laurent, Balenciaga, and Nina Ricci. Try not to drool.

 

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What: Pret-a-Papier
Where: Washington, D.C.
When: Now – December 30
Why: These clothes are amazing…and made out of paper. Yes, paper. Check it out at the Hillwood Museum.

 

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What: Fashion A-Z – Part 2
Where: New York City, New York
When: Now – November 10
Why: As part of the Fashion Institute of Technology’s two part series displaying their archives, this one is a must see.

 

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What: Diana Vreeland After Diana Vreeland
Where: San Beneto, Venice
When: Now – June 25
Why: This exhibit at the Palazzo Fortuny is the first to be entirely dedicated to the late Vogue editor. You can view select pieces from her entensive wardrobe, including some couture articles.

 

 

Prada and Schiaparelli: Impossible Conversations

What: Prada and Schiaparelli: Impossible
Conversations

Where: New York City, New York
When: Now – August 19
Why: The Metropolitan Museum of Art’s annual costume institute needs no introduction – mainly because the Prada & Schiaparelli clothing featured has been talked about all over the world.

 

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What: Glamour
Where: Bath, England
When: Now – December 31
Why: Anything with the title “Glamour” immediately draws us in, especially if it focuses on gorgeous evening wear. Find it at the Museum of Costume.

 

 

Style this week

I don’t know about the rest of you guys but here in NY we melted this week, Bill Cunningham captured some of the looks people donned to try to beat the heat

and from the blog bubble here are some other street style looks from the week via The Cut

Frieze New York

Well the London Art Fair is coming to New York this weekend, Randall Island specifically. I am hoping to be able to check it out, because it sounds like a darn good time….’They commissioned New York-based architect SO-IL to create the largest temporary structure the city has ever seen (if not the world — the Guinness Book is checking things out). Besides the 170 gallery booths on view, there will be plenty for foodie fanatics: Outposts of Frankie’s Spuntino, Sant Ambroeus, The Fat Radish, the Standard Biergarten and Roberta’s (complete with wood-burning oven), will be open.

Read more: New York Frieze Art Fair 2012 – Best Events at New York Frieze Art Fair 2012 – Harper’s BAZAAR ’

Check out the Frieze website for a full list of events

And if you can’t make it (ya know not everyone lives in NY) check out their Virtual tour

How to make it in the Art World

Ok, this is a little bit of a copy and paste, sorry, but this article was just too amusing not to (via NYMAG):

The art world made it through the real-world crash relatively unscathed, but not unchanged. And even as money still courses thick and blue-chip through its veins, the system is beginning to reexamine itself. Last month during ­Armory Week, there was not just the big Establishment fair but a handful of smaller and less-Establishment fairs; a couple of anti-money, anti-Establishment fairs; and at least one anti-anti-Establishment fair, which was both a tribute to the Armory Show’s origins and a flip of the bird to its corporate values, and might also just have been one big art-punk hotel party (we’re still figuring that one out). And now, for the first time, London’s Frieze fair is coming to town; when it arrives next week, it’ll challenge incumbent kingpin Armory for supremacy in the city. Our art critic Jerry Saltz, for one, is excited by this, as he is by quite a bit of the new art he sees burbling out there, art that seems to be getting smaller rather than bigger, intimate rather than corporate, and intangible and performative rather than industrial and perfectly resolved—the stranger and more mercurial, the better. It’s a moment of weird equipoise, as the Art Death Star and the Rebel Forces are battling to the quick. To mark it, we’ve decided to present our own version of performance art: a tongue-in-cheek rulebook for how to make it in the art world now—as artist, gallerist, collector, hanger-on. Many of the case studies demonstrate this period’s impish contradictions (“Make Art That’s Difficult to Collect,” “Pretend You’re an Outsider, Even When You’re at the Center of Everything”). And many of them show how to walk a line that has become particularly well trod of late: Used to be, new galleries admired the powerhouses and young artists envied the established ones—until they deposed them. These days, the envy runs both ways. Everyone wants in, and the only way to get in is to act like you’re out. Which means nobody wants to cop to having made it already, and everyone acts like they’re overthrowing the system by thriving in it. Maybe they are.

Rule No. 1Saltz
Reject the Market. Embrace the Market.
How Jerry Saltz has found new magic amid all that money.
Rule No. 2Recent Trends
Stay on Trend…
Some things we’ve been seeing a lot of lately.
Sarah SzeRule No. 3
Make Art That’s Difficult to Collect
So only museums will collect it.
Gates JohhsonRule No. 4
Be Young, Post-Black, and From Chicago
Rule No. 5Alex Katz
Survive
With your head down.
Rule No. 6Kehinde Wiley
Outsource to China
While riffing on the Western canon. Kehinde Wiley’s global reach.
Rule No. 7
Know These 100 People
An insider’s list of art insiders.
Trading UpRule No. 8
Don’t Be Afraid to Trade Up
When a bigger gallery comes calling, listen.
Rule No. 9Art Fair Portraits
Show Up
The art world in a photo booth.
Rule No. 10Patronage
Pick Your Artists and Stick With Them
Whole-life art patronage—collecting work is just the start.
What to BuyRule No. 11
Buy the Same Thing Everyone Else Is Buying
A shopping list.
HeirsRule No. 12
Get Born Into It
The inheritance class.
Reena SpaulingsRule No. 13
Don’t Let a Gallerist Take Half the Profit
The Chinatown collective Reena Spaulings.
RuthlessRule No. 14
Be Ruthless
Making a killing in the art world’s dark market.
Family BusinessRule No. 15
Pretend You’re an Outsider Even When You’re at the Center of Everything
Family Business is a gallery that’s not a gallery, run by two art stars slumming it as art nobodies.
Rule No. 16
Pack Your Bags, Fly Around the World, and Hang Out With Everyone You Know From New York
The don’t-miss-out itinerary of the art-world world traveler.
Rule No. 17Obrist
Be Everywhere at Once (But Rarely New York)
Hans Ulrich Obrist, frequent-flying super-connector of the art world.
Rule No. 18Gavin Brown
Join the Establishment. Cling to Your Street Cred.
Gallerist Gavin Brown on not becoming Larry Gagosian

Who doesn’t love a bargain?

There are infinite things I love about being back in NYC, but I realize after breakfast with my husband on Saturday at a local restaurant that I’m a bit of a cheap-ass. I don’t know when it happened I didn’t used to be this way but I guess the years living away from NY grounded my expectations of price. Now I’m having abit of sticker shock everytime we do anything. I felt like a little old lady ‘you want me to pay how much? For breakfast?? ’ . Needless to say, I’m a huge fan of a bargain. I found this spectacular list of bargains from Vogue UK (click on images for details):

Geometric Primitives

Well since being back in NY I’m seemingly getting back in to the swing of things, we finally found an apartment in Greenpoint and I’ve even managed to make it to an art show. Or two. Last night I went to my second art show of the week and it’s definitely worthy of a mention. It was at Pace Primitive gallery and the exhibition was Geometric Primitives by Ryan McGinniss. This is what the gallery says about the exhibition:

Pace Primitive is pleased to present Geometric Primitives, a collaboration with Ryan McGinness. Geometric Primitives will be on view March 30-May 5, 2012, and an opening reception will be held Friday, March 30, from 6 to 8pm.

In constructive solid geometry, primitives are simple geometric shapes such as the cube, cylinder, sphere, cone, pyramid, and torus. The schematic reduction of the human figure historically found in African art profoundly influenced Modern art. Rather than a naturalistic approach to sculpture, African art has emphasized simplified volumetric form and line. “Geometric Primitives” is also a term used in computer graphics to refer to the smallest and irreducible geometric elements that the system can handle. In vector graphics, geometric primitives are lines, circles, curves, and polygons. In this exhibition, Ryan McGinness takes the geometric primitives of African art objects and creates two-dimensional geometric primitives which are then used to create this new body of work. The results are a series of paintings, works on paper, cyanotypes, and prints which take the modernist approach into the 21st Century.

Ryan McGinness is known for his extensive vocabulary of graphic drawings which investigate the perceived value of forms. He uses these drawings, his original icons, by layering, superimposing, and collaging them together to create paintings, sculptures, and environments. For Geometric Primitives, McGinness surveyed the collection of Pace Primitive, creating over 50 new drawings based on African works. In doing so, he has taken their volumetric structures and reduced them to flat iconographic forms. A selection of these original ink sketches will be on view. (This exhibition marks the first time McGinness has exhibited his sketch process.) These drawings were then used exclusively as the building blocks for this entire body of work.

The sources of inspiration from the African collection will be exhibited alongside McGinness’ work as classical statements of these principles that have inspired artists in the Modern tradition, including Picasso, Vlaminck and Léger. These objects will include excellent examples of traditional African art such as a Dan Mask from the Ivory Coast, a Songye Kifwebe Mask from the Democratic Republic of the Congo and a Guro Female Figure from the Ivory Coast.

Here are a few of my favorites from the show, which is up until May 5th

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The Whitney Biennial 2012

In the words of Roberta Smith for the NYTimes “One of the best Whitney Biennials in recent memory may or may not contain a lot more outstanding art than its predecessors, but that’s not the point. ” Which is something that, based on the images I’ve seen, I mostly agree with. To be fair, I’ve not seen many Whitney Biennials, none in person, in fact, but that doesn’t change my appreciation for the affect of  the “ intimate studio experience rather than work made by assistants or jobbed out to China.”(jerry saltz nymag) With the constant struggle within the art world between art and commerce it’s nice to just see art. I’m not particularly aesthetically drawn to many of these pieces (really not a fan of dance and performance art) but I am drawn to the idea of leaving big business out of the collection. Definitely want to check this out

images via nytimes and nymag

2012
BIENNIAL ARTISTS

Kai Althoff
Thom Andersen
Charles Atlas
Lutz Bacher
Forrest Bess
(by Robert Gober)
Michael Clark
Cameron Crawford
Moyra Davey
Liz Deschenes
Nathaniel Dorsky
Nicole Eisenman
Kevin Jerome
Everson
Vincent Fecteau
Andrea Fraser
LaToya Ruby
Frazier
Vincent Gallo
K8 Hardy
Richard Hawkins
Werner Herzog
Jerome Hiler
Matt Hoyt
Dawn Kasper
Mike Kelley
John Kelsey
John Knight
Jutta Koether
George Kuchar
Laida Lertxundi
Kate Levant
Sam Lewitt
Joanna Malinowska
Andrew Masullo
Nick Mauss
Richard Maxwell
Sarah Michelson
Alicia Hall Moran
and Jason Moran
Laura Poitras
Matt Porterfield
Luther Price
Lucy Raven
The Red Krayola
Kelly Reichardt
Elaine Reichek
Michael Robinson
Georgia Sagri
Michael E. Smith
Tom Thayer
Wu Tsang
Oscar Tuazon
Gisèle Vienne,
Dennis Cooper,
Stephen O’Malley,
and Peter Rehberg
Frederick Wiseman