Predictions for the 20′s Fashion on Downtown Abbey Season 3

This is the last post about the 1920′s I promise, but I saw this on Vanity Fair and figured I had to share, because again, it brings together two things I really like. It’s like chocolate and peanut butter, sometimes you just gotta do it.

Admittedly I discovered a new fondness for the fashions of the 1910′s because of the show but I guess the 20′s are good too. So here is what VF says: “And so we dove into the fashion archives of 1920s couture photography we keep around here (oh, twist our arm!) and decided to speculate as to the sartorial delights that Season Three holds. Will Rosamund break out the flapper frocks to lure a new husband? Will Sybil rebel in diaphanous Chanel, much to the delight of Danny Zuko? Will Lady Mary wear one of the two wedding gowns we selected for her in this slide show—one satin, one lace? You’ll have to wait a year to find out, so in the meantime, join us as we tick off the hallmarks and defining characteristics of 1920s fashion we hope to see in Season Three—because they’re the bee’s knees.”

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short hair, clean makeup, strapped shoes, dangling earrings, brooches, headbands, embroidered shawls, feather fans, sautoirs, fur, satin, lace, the cloche, tiers, fringe, oh my….

Ok, that’s it.

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With a pop surrealist style, and an overt acknowledgment of issues such branding, consumption and globalism (among many others), make these paintings by Alex Gross so compelling. On exhibit at Jonathan Levine gallery in until March 24th. What do you all think of these?

 

 

 

8 OverWater Bungalow hotels and the swimsuits I wear to them…..

…..in my imagination.  I want to go to all of these places…all though most of them seem to be in French Polynesia so maybe I just need to go there and check them all out. Loving these suits too. So hard to find the right suit.

Four Seasons Bora Bora French Polynesia

Dotted Pinwheel Bikini

Le Taha’a Island Resort and Spa Taha’a French Polynesia

Ted Baker Jungle print suit

Te Tiare Resort Huahine, French Polynesia

Star Scattered Bikini

Bora Bora Pearl Beach Resort and Spa Bora Bora French Polynesia

Black Macrame Suit

Hilton Bora Bora Nui Resort Bora Bora French Polynesia

Kamini Swimsuit

Moorea Pearl Maharepa French Polynesia

Juicy Couture

Four Seasons Beau Chanp Mauritius

Retro Poppy Bikini

Laucala Island Fiji

Mara Hoffman Bikini

(images via Conde Nast Traveler , Asos and Anthro)

 

Schiaparelli and Prada Impossible Conversations

I’m thinking this looks like something worth checking out…..although I won’t lie, I had to look up Schiaparelli before deciding it was something I’d like to see. In case I’m not the only one who didn’t know anything about her, Wiki says: was an Italian fashion designer. Along with Coco Chanel, her greatest rival, she is regarded as one of the most prominent figures in fashion between the two World Wars. Starting with knitwear, Schiaparelli’s designs were heavily influenced by Surrealists like her collaborators Salvador Dalí and Alberto Giacometti.

“The Costume Institute’s upcoming exhibit ”Schiaparelli and Prada: Impossible Conversations.” Meant to portray the correlations between the two iconic designers — who lived in entirely different eras but explored similar themes in their work — the show will focus on seven specific subjects that both women addressed in their clothing collections. Each subject will be the subject of a fictional “conversation” between the two women, as imagined (and simulated through cinematographic hoodoo) by film director Baz Luhrmann.” (via nymag)

At the Metropolitan Museum starting May 5

Left: Miuccia Prada, spring/summer 2011. Courtesy of The Metropolitan Museum of Art, Photograph by © David Sims,

Right:  Wallis Simpson in Elsa Schiaparelli, Vogue, June 1, 1937.Courtesy of The Metropolitan Museum of Art, Photograph by Cecil Beaton, Cecil Beaton Studio Archive at Sotheby’s

Left: Miuccia Prada, spring/summer 2005. Courtesy of The Metropolitan Museum of Art, Photograph by © Toby McFarlan Pond.Right: Diana Vreeland in Elsa Schiaparelli, Harper’s Bazaar, April 1937. Courtesy of The Metropolitan Museum of Art, Photograph by Louise Dahl-Wolfe. Louise Dahl-Wolfe Archive / © 2012 Center for Creative Photography, Arizona Board of Regents.

Left: Miuccia Prada, spring/summer 1999. Courtesy of The Metropolitan Museum of Art, Photograph by © Toby McFarlan Pond Right: Elsa Schiaparelli, Vogue, September 15, 1938 Courtesy of The Metropolitan Museum of Art, Photograph by Horst Horst / Vogue; © Condé Nast

Left: Miuccia Prada, autumn/winter 1996–97. Courtesy of The Metropolitan Museum of Art, Photograph by © Toby McFarlan Pond. Right: Elsa Schiaparelli, Vogue Paris, February 1927. Courtesy of The Metropolitan Museum of Art, Photograph by George Hoyningen-Huené. © R.J. Horst.

Left:  Miuccia Prada, spring/summer 2006. Courtesy of The Metropolitan Museum of Art, Photograph by © Toby McFarlan Pond. Right: Elsa Schiaparelli, Vogue Paris, June 1949. Courtesy of The Metropolitan Museum of Art, Photograph by Rutledge. Rutledge @ Vogue Paris.

Left: Miuccia Prada, autumn/winter 2004–5. Courtesy of The Metropolitan Museum of Art, Photograph by © Toby McFarlan Pond Right:  Elsa Schiaparelli in Elsa Schiaparelli, autumn 1931. Courtesy of The Metropolitan Museum of Art, Photograph by Man Ray.© 2012 Artists Rights Society (ARS), New York / ADAGP, Paris.

Left: Miuccia Prada, spring/summer 2004. Courtesy of The Metropolitan Museum of Art, Photograph by © Toby McFarlan Pond. Right:  Elsa Schiaparelli, Vogue, June 1, 1935. Courtesy of The Metropolitan Museum of Art, Photograph by Horst. Horst / Vogue; © Condé Nast.

Left:  Miuccia Prada, autumn/winter 2002–3. Courtesy of The Metropolitan Museum of Art, Photograph by © David Sims. Right: Elsa Schiaparelli, Harper’s Bazaar, February 1935. Courtesy of The Metropolitan Museum of Art, Photograph by André Durst Harper’s Bazaar/Hearst Communications, Inc

Left:  Miuccia Prada, spring/summer 2000. Courtesy of The Metropolitan Museum of Art, Photograph by © David Sims. Right:  Wallis Simpson in Elsa Schiaparelli, British Vogue, July 10, 1935. Courtesy of The Metropolitan Museum of Art, Photograph by Cecil Beaton. Cecil Beaton / Vogue © The Condé Nast Publications Ltd

 

 

 

 

Odd Lot

I realize I’m creating a bit of a post cavalcade today, but I really couldn’t not post this editorial because I’m in love with it. It’s funny and quirky and a beautiful hot mess.  For Numéro #131, photographed by Greg Kadel

via fashiongonerogue

Oscar Fashions the real version

Ok, I did a quickie post of some of the looks from the red carpet last night, here they are more comprehensively…..and I still think Milla Jovavich is my favorite. Which looks do you all like?

From left, Jane Seymour in Pamela Rolland, Michelle Williams wearing Louis Vuitton, Ellie Kemper in Armani Prive and Emma Stone wearing Giambattista Valli Couture.

From left, Maya Rudolph in Johanna Johnson, Sarah Hyland wearing Alberta Ferretti, Melissa McCarthy and Virginia Madsen wearing Kevan Hall.

From left, Gwyneth Paltrow in Tom Ford, Princess Charlene of Monaco, Sandra Bullock in Marchesa and Kelly Ripa wearing Carolina Herrera.

From left, Glenn Close wearing Zac Posen, Esperanza Spalding, Viola Davis in Vera Wang and Missi Pyle wearing Valentina Delfino.

From left, Meryl Streep in Lanvin, Jennifer Lopez wearing Zuhair Murad, Cameron Diaz in Gucci Premiere and Stacy Keibler wearing Marchesa

From left, Natalie Portman in Dior, Melissa Leo wearing Reem Acra, Janet McTeer in David Meister and Anna Faris wearing Diane von Furstenberg

From left, Lea Thompson wearing Armani Prive, Giuliana Rancic in Tony Ward Couture, Penelope Anne Miller wearing Badgley Mischka and Milla Jovovich in Elie Saab Couture.

From left, Kelly Osbourne wearing Badgley Mischka, Rose Byrne in Vivienne Westwood, Jessica Chastain wearing Alexander McQueen and Judy Greer in Monique Lhuillier

From left, Annie Mumolo in Pamela Rolland, Busy Philipps wearing Dolce & Gabbana, Berenice Bejo in Elie Saab Couture and Maria Menounos

From left, Rooney Mara wearing Givenchy Couture, Shailene Woodley in Valentino Couture, Octavia Spencer wearing Tadashi Shoji and Bingbing Li in Georges Chakra Couture

From left, Tina Fey in Carolina Herrera, Sherri Shepherd wearing Gustavo Cadile, Penelope Cruz in Giorgio Armani and Leslie Mann wearing Roberto Cavalli.

 

From left, Kate Mara in Elie Saab, Amara Miller wearing Valentino Couture, Wendi McLendon-Covey and Kristen Wiig in J. Mendel.

 

From left, Brad Pitt in Tom Ford and Angelina Jolie wearing Atelier Versace, Colin Firth in Tom Ford and Livia Firth wearing Valentino and Melanie Griffith in Yves Saint Laurent and Antonio Banderas.

Puzzled Love

I find it hard not to find some enjoyment in these peices, being so chock full of sunshine and flowers. Normally I’m averse to that type of blatant cheer but here, it just works. “Flowers and skies were taken out of over 60 store bought puzzles and combined to form a series of spectaular landscapes. Although puzzle pieces are unique and can only fit into one place within a puzzle they are interchangeable within a brand.” The series is called Love = Love, by Kent Rogowski.

The Queen and some flowers

It often happens that I find a singular piece of work by an artist that is really compelling to me, then when I go to search for more of their work I’m….I don’t want to say disappointed but just surprised. Either their previous work is just so different or something that keeps me from grasping on to them as an artist. Both of these artists are like that. All of their work is fantastic but these particular works stood out to me the most.

This image, The Queen by Justin Mortimer 1998, is part of an exhibition “ “The Queen: Art and Image,” opens at the National Museum Cardiff on February 4 and the National Portrait Gallery on May 17, following stops in Edinburgh and Belfast last year. Through representations of Elizabeth, it charts a course across recent British history and art, against a backdrop of the realm’s shrinking empire, social upheaval, and the Internet revolution.” The show will include images by Pietro Annigoni and Cecil Beaton, as well as Gerhard Richter and many other artists. I don’t live in England so I don’t personally relate to many of the issues touched on in this exhibition, despite convincing myself I do because I watch Downtown Abbey, but this work sends a clear message to everyone that I think is quite powerful. Maybe it’s all the yellow. (image from artnews)

And speaking of messages:

These are images from an installation, by Anna Schuleit, where she brought the crumbling Northampton State Hospital to life with the music of J.S. Bach, and Bloom(2003), where she filled the Massachusetts Mental Health Center with 28,000 blooming flowers and 5,600 square feet of lush, green sod. Aside from just bringing beauty in to a space that otherwise lacks so much, also paying tribute to all the lives that passed through.

High-line, meet Low-line

With the success of the Chelsea High-line in NYC I suppose it was only a matter of time before someone came up with a Low-line, which is exactly what architect James Ramseyand Dan Barasch did. They introduced the Delancey Underground project, aiming to convert an unused trolley terminal beneath Delancey Street (just under the Essex Street Market) into an extraordinary subterranean public park– nicknamed the “LowLine.” It’s a mix of edgy design and green technology, ‘using innovative fiber optics to reflect light underground, saving electricity and reducing carbon emissions, and generating the capacity for plants, trees, and grasses to thrive indoors. ‘ It’s amazing design has me thoroughly excited and I hope the project is realized, which it seems like it will be, but at the same time it makes me terrifyingly claustrophobic, envisioning some post-apocalypitic dystopia where people would have to live underground. But did I mention I like it?

Delancey Street trolley terminal as it looks now

 

sourced from trendland